He works with production designers, art directors, and art department crews to take sets from design notes through the final dress. Depending on the job, that might mean sourcing period furnishings, building walls, or aging a finish so it looks like it’s been there for years.

Before working on sets, Dillon spent more than a decade managing projects and leading teams. He brings that experience to the art department, keeping builds organized and crews in sync as schedules change.